![]() ![]() ![]() In a quiet moment backstage Houdini asks Elsie if she wants to know how he does his tricks, and she wisely declines. ![]() The girls are invited to London by Conan Doyle, where they embrace their celebrity and see Houdini perform. By way of apology to the fairies, the girls finish Joseph's fairy-house and leave it in the forest as a gift. Hundreds of people invade the village in automobiles and on foot, and the fairies flee the obstreperous mobs. But a newsman soon identifies the beck in Cottingley, tracing the girls through the local school and besieging the family. Abetted by the buffoonish Gardner, Elsie and Frances soon come up with two more photos and Conan Doyle has the story published in The Strand Magazine, promising everyone's names will be changed. Arthur catches Houdini poking around and tells him point-blank that he doesn't believe that the fairies are real, but that no trickery took place in his darkroom either. No one except Houdini believes that young children could be capable of photographic fraud, and Conan Doyle himself arrives at the girls' home with Houdini, Gardner and two new cameras. The photos are pronounced genuine, or at least devoid of trickery. Gardner, who has them analysed by a professional and then brings them to the attention of Sir Arthur Conan Doyle. She takes them to Theosophist lecturer E.L. When she comes home after attending a meeting of the Theosophical Society, where she hears stories of angels and all sorts of ethereal beings, she finds Arthur reviewing the prints in disbelief, but she thinks they are real. They abscond with Arthur's camera one afternoon to take pictures of the fairies, hoping to give Polly something to believe in. When Frances arrives she and Elsie discover a shared fascination with fairies, whom they encounter down at the "beck", a nearby brook. He is also an amateur photographer and chess player. He is a bit of a local hero, responsible for the electrification of the local mill, where children as young as Elsie go to work. Elsie is not allowed to wear colours or to play with his toys, but she has taken the unfinished fairy-house he built up to her garret bedroom where her doting father, Arthur, regales her with fairy tales. Polly Wright, Elsie's mother, is deep in mourning for her son Joseph, a gifted artist who died at the age of ten, and she keeps Joseph's room and art works intact. ![]() Young Frances Griffiths, whose father is missing in action, arrives by train to stay with her cousin Elsie Wright in rural Bradford, West Yorkshire. Barrie's Peter Pan charmed theatergoers of all ages. Scientific advances such as electric light and photography appeared magical to some spiritualism was championed by Sir Arthur Conan Doyle while his friend Harry Houdini decried false mediums who prey upon grieving families. Plot Įarly 20th-century Europe was a time and a place rife with conflicting forces, from the battlefields of World War I to the peaceful countryside of rural England. The film was produced by Icon Productions and was distributed by Paramount Pictures in the United States and by Warner Bros. It is loosely based on the story of the Cottingley Fairies, and follows two children in 1917 England who take a photograph soon believed to be the first scientific evidence of the existence of fairies. FairyTale: A True Story is a 1997 fantasy drama film directed by Charles Sturridge and produced by Bruce Davey and Wendy Finerman. ![]()
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